Days-Errant

Been doing a lot of errandry* lately, but at least it's involved some getting out and about to interesting places. I get a bit depressed cooped up in Bristol, especially this time of year when some bugger's pulled the plug and all the light's draining away.

*Now I'm wondering if errandry should be errantry, which has the benefit of being an actual word, but that might just be wandering about without the service element. Hmmm.

Anyhow. My mother was in Bristol for ten days or so recently, following a sojourn in Cornwall, and briefly fancied going to Clevedon, so we took her there before she could change her mind. There's a pub right on the front where you can have something to eat and look out over the estuary and there's light and interest even when the weather forecast is poor, which it was. 

And by the time we emerged, it was into unexpected afternoon sunshine, and a plane, which you probably can't make out in the photo, was doing loop-the-loops and things. 

We made our way to the pier.

I took time to admire my favourite thing about Clevedon which is its less than genteel trees ... 

... though there was no walking the steep cliff path of Poets Walk, of course.

After a flying visit to the pier's gift shop, we manoeuvred our way through the narrow lane that leads from the front to Copse Road, emerging alongside the Royal Oak Pub, which was run by my Great-Great-Uncle Joe Rich during the first half of last century. There are lots of family stories associated with this time.

My mother happily told several passers-by and a couple of workmen about the times she used to pull pints there, aged 14. 

The lane hasn't changed much at all, apparently.

A couple of days later we ventured deeper into Somerset to visit my mother's only surviving elder brother, Noel, in Shepton Beauchamp. They did a great job of bringing their childhood misdemeanours to life, details of which I shan't repeat here.  

The next day, my birthday, the Northerner and I were in Wells for the gathering of shortlisted competition poets at the Festival of Literature ... 

... and then suddenly that was enough Somerset, and my sons and I were off to Sussex for a belated birthday jaunt - my daughter's birthday, not mine. And it rained again.

But then it cleared up enough for a little wander around Brighton Marina ...

View to Ovingdean Gap

... followed by cake. 

Bristol Poetry Festival so far and a visit to Wells Festival of Literature 2017

The Bristol Poetry Festival is galloping into its final week. The last seven days have seen fantastic sets from Tara Bergin, Liz Berry, Helen Ivory, Lucy English, and Lois P Jones (the winner of this year's Bristol Poetry Prize), and Martin Figura's stylish and affecting new show about love, loss and poetry, Dr Zeeman's Catastrophe Machine, which I absolutely recommend. Plus a ground-breaking fusion of BSL poetry and poetry film, including translations into sung notation (an indequate way to describe it but the best I can do), with Paul Scott, Helen Dewbury, Chaucer Cameron, Victoria Punch and Kyra Love.  And last night a beautiful, beautiful launch for the anthology of poems by contemporary Georgian women poets, 'The House with No Doors', translated by Natalia Bukia-Peters and Victoria Field, with music from the Borjghali Choir which made me want to dance up and down the aisles of St Stephen's Church. (I desisted but it was a close thing.) 

Then there was Dru Marland's launch of her latest collection, Drawn Chorus, published by Gert Macky, which took place last Monday and which was A Roaring Success. 

Here are the guest poets!



















Today it was off to Wells Festival of Literature for a bit of a change. I'd been asked to get the reception for this year's shortlisted poets in the poetry competition under way by reading my poem 'Mr Cowper's Hares', which won last year's Hilly Cansdale prize for local poets. And since it's always a pleasure to go to Wells, I was happy to oblige. 

And it all went ever so well. 

Here are a few of the City of Wells in Autumn photos such an occasion demands. 

St Cuthbert's

The view from the pub

Stained glass autumn ash with Cathedral backdrop

The ruined Great Hall of the Bishop's Palace

Stained glass from ruined French churches, post Revolution

Tudor fireplace

Fountain

Not falling into the mediaeval conduit on the way back to the car

A Poem for World Mental Health Day 2017

William Cowper was an 18th century poet and hymn writer, born a generation or two before Blake, Coleridge, Clare and Keats, and like them, posthumously diagnosed with bipolar disorder. Of course, we can never really know what caused their mental illness and it seems rather prurient to conjecture about this aspect of their lives. In any event, what's more interesting about Cowper is the fact he kept three orphaned hares as pets and found some comfort in caring for them. 

Mr Cowper’s Hares

And so he sits without moving

holds them in his lap

not so tightly they’ll take fright

leap through the window

scream up the lane

outstripping every attempt to catch them

hurling themselves

from rock to moss to wild supposition

till they’ve gone beyond all returning

no longer know they have a home

and not so softly they’ll take fright

bolt down the passage

out through the door

dodging the grasp of passers-by

plunging

almost suicidal into tan pits

brought back half-drowned in a sack

caked with lime

and so he holds them without moving

pent between his hands

sees his reflection

in their mad amber eyes

©Deborah Harvey 2016

This poem won the Hilly Cansdale Prize for Local Poets at Wells Literature Festival last year, and I'll be reading it at the prize-giving ceremony for this year's shortlisted poets, this Sunday at 3.30pm in the Bishop's Palace. 

A Visit to Wells Festival of Literature 2016

After two weeks of intense poetry rehearsing, reading and listening at the glorious Bristol Poetry Festival, we were off to Wells today for more of the same at the Wells Festival of Literature. 

It's never a hardship to go there, especially at this time of year. The light is golden on golden stone, the interplay with the trees astounding, even when you've seen it before.

And how can you not love England's smallest city, with this view on one side ... 

... and this on the other? 

We were headed for the poetry judging at the Bishop's Palace, as my poem 'Mr Cowper's Hares' was slugging it out with the other shortlisted poems for one of the prizes on offer. 

I've a soft spot for the Wells Festival of Literature poetry competition because back in 2010, my poem 'Coleridge Changes his Library Books' took first prize. It was this that prompted me to stick my head above the parapet and start going to open mics and entering more competitions - which in turn led to a publishing deal for my poems and my novel, and the making of so many friends in the poetry community.

As it is, 'Mr Cowper's Hares' put up a good fight and came away with the Hilly Cansdale prize for local poets in their paws.   

The Best Thing 2012

Trying to decide what's The Best Thing I've seen this year.  It's very tempting to say Leonard Cohen.  After all, I'd waited nearly 36 and a half years for the miracle to come.  But I feel there has to be an element of serendipity to what ever occupies the Number 1 slot which is erased by the purchase of a ticket.  Plus, I'm seeing Him again in 2013. (Have I mentioned that at all?)

Last year's Best Thing was encountering two badgers in the middle of Parry's Lane.  I'd only ever seen dead ones before.  It was the sort of moment that imprints itself on the inside of your eyelids. And so was this - the swathing of the Vale of Avalon in mist with Glastonbury Tor poking out of the top as I came down off the Mendips, headed for this year's Wells Festival of Literature. 

Fire, Frost and Dragon's Breath

If I had any doubts about the wisdom of getting up early on a Sunday to read poems to the converted in Wells, my drive across the Downs - all smouldering trees, dragon's breath and frost - dispelled them. Then, as Pameli and I started the descent from the Mendips, I screeched to a halt and jumped out of the car.  No matter that it was a relatively busy single carriageway ...  Glastonbury Tor was adrift in mist.  And how can anyone deny it's magical?

And when we arrived, the City of Wells was morning-dark and misty also.

With such auspicious auguries, the reading of poems in the Oak Room of the Swan Hotel could hardly have not gone well, and so it proved.  For once, we seemed to have an audience that didn't consist entirely of contributing poets, including my friends, Liz and Paul, who had kindly come over from Portishead.  And I sold a couple of copies of my collection, Communion, too - always a bonus.

Before heading back to Bristol, Pameli Benham, Stewart Carswell and I had a little wander around the moat of the Bishop's Palace.  It must be quite sheltered as autumn doesn't seem to have advanced far there yet. 

On the way back to the car park, I managed - finally - to get a photo of Union Street, which was once Grove Lane, and before that Grope Lane, and before that, Gropecunt Lane, for my collection of Gropecunts.  

Which reminds me, whilst on the walk around Bristol yesterday, Mark Steeds mentioned a lane in the bombed mediaeval quarter of Bristol which went by the splendid name of Cock and Bottle Lane.  Must do come googling.   

A Visit to Wells Festival of Literature 2010

So, Saturday it was off to the beautiful Somerset city of Wells, at the invitation of the Festival of Literature Committee, for a prize-giving, luncheon in the Bishop’s Palace, and a talk on writing by the novelist Sarah Duncan. With me my writing teacher and friend, Kate Dunn, whom I was delighted to invite by way of a thank you for her support.

As luck would have it, morning dawned fair and our journey passed uneventfully. Having arrived with time to spare, we took a wander around the town. The trees have some way to go before their autumn colouration gains its full intensity, but they were still very beautiful, and given the lovely, slightly misty quality to the light, I was vexed that I’d carefully stowed my camera in the wrong handbag.

After we'd perambulated the moat, we made our way to the main entrance of the Palace and on to the light, high-ceilinged room where the prizes for the Short Story and Poetry Competition were to be given. I was expecting to feel nervous, but didn’t, partly because an actor was reading out the winning poems rather than the poets themselves, but also because it’s the poem that’s being honoured on these occasions, not the person who was fortunate enough to find it and pin it on the page. Still, it was a pleasure to accept the first prize cheque for £500 on behalf of said poem, ‘Coleridge Changes His Library Books’, along with a certificate and a charming terracotta tile depicting the Cathedral fashioned from books.

Lunch was handsome – roast pork and vegetables, followed by syrup pudding with clotted cream – and the company serendipitous. Kate and I sat with the poet who won second prize in the competition, the generous and indefatigable Sue Boyle who runs the Bath Poetry Café, her husband Jim, the actor Dennis Harkness, who won the Silver Wyvern prize for his short story and who tours with a one-man show about Coleridge (how’s that for synchronicity?), and his wife, the very talented artist Juliet Harkness. We were also joined by one of the committee members, who told us there had been 479 entries in the poetry competition this year.

After lunch we attended the talk about writing, and Sue kindly invited me to read at the November Poetry Café. Then, we left the Palace and made our way to the Cathedral, but not before we’d located the bell the swans ring when they want to be fed! Unfortunately part of the south aisle, the transept and everything to the east was closed to visitors as there was a choir practice in full flow, but even so, it was wonderful to drift along the stone avenues, dislocated from time. And that's another reason to go back soon.