About Me

My photo
Bristol , United Kingdom
Poet and poetry facilitator. Neurodishevelled. My sixth poetry collection, Love the Albatross, is available from Indigo Dreams or directly from me.
Showing posts with label swifts. Show all posts
Showing posts with label swifts. Show all posts

Sunday, 28 June 2026

A visit to Coleridge Cottage and Kilve

My friend, Cathy, and I hadn't been inside Coleridge's storied cottage in Nether Stowey long before one of the volunteers asked me the time-honoured question: 'Have you been here before?' And I had, but realised it must have been almost 20 years earlier, as I'd been with my ex-husband, who, I recall, was in a mood because he was missing a football match on the telly.

I didn't feel I could count my second visit, which occurred since the cottage underwent its major restoration in 2010-11, as on that second occasion I'd been with the Northerner, and since he'd never been there before and I had, it was only fair he went in for a look around in the limited time we had that day, while I waited outside with our then dog, Ted, and watched the swifts wing up and down the street. (I did get a poem out of my missed visit, though.)


Last summer, when we visited the behemoth that is Wordsworth Grasmere in the Lakes, I found myself longing for the remembered simplicity of Coleridge Cottage and its garden. A re-visit was long overdue.



my favourite too

'You would smile to see my eye rolling up to the ceiling in a lyric fury, and on my knee a Diaper pinned'





While enthusing with the volunteer who welcomed us to the cottage, I'd felt it politic to acknowledge Sara Coleridge, who was left to shoulder the lion's share of the work of running a house and raising the children, while her husband (who surely had ADHD, given the expansive projects he kept dreaming up but never brought to fruition) spent much of his time in Nether Stowey nipping up the end of the garden and sneaking into Thomas Poole's library, going off on long walks with the Wordsworths, and drinking laudanum). I suppose I was hoping to avoid a lecture on The Price Sara Paid, and indeed, the volunteer warned me there was strong feeling in favour of Sara amongst some of her peers.

I think it's perfectly possible to care about both Coleridges. I feel huge empathy for Sara - I too was left alone much of the time to care for four small and decidedly interesting children - but it's also necessary to acknowledge that Samuel was an exceptional poet, one of our greatest (whereas my ex-husband was just off philandering). And maybe STC had to follow where his mind led him in order to produce 'The Ancient Mariner' and  'Kubla Khan', neither of which would have been written in quite the same way without his opium habit and his wanderings through this wild and remote part of Somerset. 

I drew the conclusion many years ago that poets probably shouldn't get married.


The Ancient Mariner


Samuel Coleridge at the age of about 45


This window is engraved with the scenes Samuel and Sara would have seen when they looked through it




At the back of the house, as pre-warned, we were cornered by one of Sara's zealots, who gleefully told us about the time Sara spilt hot milk over Samuel's feet, rendering him unable to go walking with William and Dorothy. (Though of course he did get a poem out of his missed walk.) 


The well


The privy







Papaver Somniferum



Swifts in the garden



After sating ourselves with cottage and garden, Cathy and I headed to our favourite Hood Arms at Kilve for a vegetarian Sunday lunch, which was magnificent but left neither of us with room for dessert or even a cream tea at the nearby Chantry, which was a crying shame. Instead we waddled from the car park to the beach, enjoying the view down to Devon, across to Wales and up the Severn estuary. 



A fine day out. I could make a habit of it.




Thursday, 15 August 2019

A Sussex Postscript: Rottingdean and St Michael and All Angels, Berwick

Back in Sussex to fetch home my son, I stopped off in Rottingdean again, determined to get to the bottom of Edward and Georgiana Burne Jones's missed memorial.


First, though, I sought out their house, a task which isn't as straightforward as it seems. The blue plaque is on a property called 'Prospect Cottage', currently covered with scaffolding ... 


... but I'd read they lived at North End House, which is two doors up. 

It turns out Ned first bought Prospect Cottage and the middle house, Aubrey Cottage, as a holiday home, and knocked them through, before later buying North End House and making
one home of them all. Blimey. 

The novelist Angela Thirkell stayed there as their granddaughter, and later, after Georgie's death, it was bought by Enid Bagnold, of 'National Velvet' fame.  

I wandered through Kipling Gardens up to The Elms, where his eminence lived.  

The Elms

Kipling, and his cousin, Stanley Baldwin, who also has a connection with the village, were both nephews of Georgie. (Clearly there was no escaping The Family, not even on holiday.)

Up at the Church, I found the memorial to Ned and Georgie with no problem at all, on the external wall of the south aisle. 


But where are they buried? 


Fiona McCarthy, in her biography, states that Ned's ashes were scattered in a grave lined with moss and roses in the corner of the churchyard closest to their house. Somewhere near here, perhaps?  


Then there's the wooden memorial to Angela Thirkell. I was sure her name would be on the back of this one ...
... but it's someone called Mary's. I couldn't read the rest of the inscription. 


It had come on to rain again ... 


looking towards the windmill


... so I decided not to search for Angela's grave any more. Nor Enid Bagnold's. Nor Gary Moore's, for that matter. Instead, I popped inside the church again ... 


... and found another tucked-away and awkward to photograph window I'd missed last week: George and the Dragon, in a design by J H Dearle for Morris & Co. 

I also photographed the smaller lights below the three archangels that hadn't come out so well on my previous visit.


Gabriel ...


...Michael ...


... and Raphael.
Then we headed west for a mini reprise of our visit to Charleston, at St Michael and All Angels in Berwick.  


It's a 12th century church, built on what looks to be a roughly circular, pre-Christian sacred site, next to a round barrow (or possibly a motte). 


Inside it has an 11th century Saxon font ...


... and a sculpture called 'The Family' by Christopher Furner that is reminiscent of work of Eric Gill ... 


... and some good glass by J Powell and Sons ...


... plus some clear glass installed following war damage ...


... which serves to illuminate (a little) the wonderful 1940s wall-paintings by Duncan Grant, Vanessa Bell and Quentin Bell. 


Nope, going to have to put the lights on after all.


The original pupit was vandalised in 1962, after Vanessa's death, and repainted by Duncan Grant to a design by Angelica Garnett, Vanessa's daughter.


As usual, there are far better photos than mine on line.



All the while we were in the Church there was a screaming outside which sounded very much like swifts. Upon investigation, it seemed to be coming from the tower and I wondered if it was a brood of late, almost-ready-to-fledge nestlings.  

I really hadn't expected to hear that sound again this summer and was thrilled.

Back home I discovered that the Church was recently involved in a swift conservation project with local schoolchildren, so it seems a reasonable guess.


Meanwhile, it was getting autumnal, and time for the long drive home. 

I'm getting to really like Sussex and its curiosities. I'll be back soon.