But some days there seems to be no daylight at all, just continuous dusk and it's exhausting. And the bright days always seem to fall when I'm due in work, or I've agreed to drive my mother half way across town to buy a packet of Cathedral City mature Cheddar cheese because it's 30p per 350g cheaper in a supermarket there than it is locally. ('That's six shillings!')
So has it been this November. Instead of a bit of easy living post poetry festival, there's been the torment and tedium of funding bids. Two days out arranged - to Dartmoor and South Somerset - didn't happen through no fault of anybody's. And though these last two weeks there has been much chauffeuring of Son the Actor to be done - about 450 miles altogether, to a beautiful location the other side of the city with stunning autumnal walks - it's all been done under cover of darkness, the first round trip through the evening rush hour and the second last thing at night. We've seen a total of four foxes and something that looked smaller and somewhat malevolent in the headlights as it pushed its way through a hedge. Gollum, or a svart maybe.
I did manage to fit in Simon Armitage's reading at the Bristol Poetry Institute. He read mostly from his new collection, The Unaccompanied, plus some older poems, including an extract from his translation of Sir Gawain and the Green Knight, which I love. If you haven't ever been to hear him read, you are missing a treat. Armitage is the Jack Dee of poetry. His poetry-reading persona during his introductions is downbeat and self-deprecating. Then come the poems which are engaging and often very funny. I think I must have heard him read half a dozen times over the last - I don't know, 15, 20 years? - and I enjoy it as much as I ever did.
Between chauffeuring stints I also fitted in the launch of Anna Bianchi's book Becoming an Ally to the Gender-Expansive Child. The evening consisted of readings, conversation and questions, and I gained fresh insights, not just about questions of gender and identity, but privilege too. I was expecting an intimate evening, but I've never seen the upstairs room at the Greenbank in Easton so packed, which was fantastic and a great tribute to Anna, the quality of her writing and her indefatigable heart. Oh and there was a big urn for the making of tea too. Inspired.
