About Me

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Bristol , United Kingdom
Poet and poetry facilitator. Co-founder of the Leaping Word Poetry Consultancy, which provides advice for poets on writing, editing and publishing, as well as qualified counselling support for those exploring personal issues in their work - https://theleapingword.com. My sixth poetry collection, Love the Albatross, is now available from Indigo Dreams or directly from me.
Showing posts with label Paula Rego. Show all posts
Showing posts with label Paula Rego. Show all posts

Saturday, 28 May 2022

The metropolis revisited

Apart from the poetry walk and the writing groups we run, I haven't been into the centre of Bristol much lately; in fact, going there still feels like a bit of a novelty 'post'-pandemic. 


Another reason for not going there is because it's so bloody hard to drive around the place these days, thanks to stealth bus gates trialled when everyone was in lockdown that have been subsequently made permanent. I never thought I'd need to use a sat nav to get around my native city. 

I know something needs to be done about air pollution, but I'm not sure making people drive miles further to get from A in the centre of town to B, also in the centre of town, is helpful. I guess the intention is to make using a car so stressful people give up and take public transport instead, but nothing's been done to improve the service. I actually like going on the bus - they're great places to slip into the liminal space where poems live - but my part of town is served by a bus lane, which means cars have to make a considerable detour to cross the ring road - but no buses. Well done, Bristol City Council and South Gloucestershire.


One of the reasons I was in the centre of Bristol recently was to launch my new poetry collection, 'Learning Finity'. It was a small thrill to read the poem 'Fockynggrove' at the Folk House, which is built on the hill that went by that name in 1373. I don't have any photos of the evening, though - in fact, I have barely any photos of any of my book launches, and I've done six of them now. I'm always far too keyed up to think of recording the event, and everyone else is mostly getting stuck into the contents of the bar. Ah well. 


Another reason for being in town recently was for a school friend's 60th birthday tea, also at the Folk House - look at that selection of cake! I hadn't been able to park in either of my preferred car parks because they were full, and had ended up a fair walk away because there was nowhere to pull over to consult the sat nav on how to get to a nearer car park that can't be accessed via the most direct route any more. Still I did have a nice walk along the new cut. 



I also spent a morning dropping books into bookshops on the off-chance they might stock them, and rewarded myself for stepping outside my comfort zone by popping into the Arnolfini to see the exhibition of prints by Paula Rego, which didn't disappoint (although ending in a day or two). 


Baa baa black sheep



Thursday, 29 December 2016

'Strange Worlds: The Vision of Angela Carter' at the RWA


I shook off my post-Christmas torpor and went to two fascinating exhibitions in Bristol today: The Staffordshire Hoard at Bristol City Museum, of which more anon, and 'Strange Worlds: The Vision of Angela Carter' at the Royal West of England Academy. 



You'll find far better photos than mine of the exhibits online, but I'll share some anyway.



'Castle' by Sarah Woodfine, right and above



Any exhibition with paintings by Leonora Carrington, Marc Chagall, Stanley Spencer, Holman Hunt, Dame Laura Knight, Paula Rego, Karl Weschke is going to grab my attention, but the more modern pieces easily hold their own. 



'Women's Place' by Juli Haas, above

As Carman Callil writes in the preface of the excellent accompanying publication, Carter was herself an accomplished artist, so it's not surprising that her writing should conjure fantastical images in the minds of these artists. 


'The Fairy Tale' by Di Oliver, above

Some of it is really quite creepy. 

This - 'The Shipwrecked Bride' by Katarina Rose - struck a chord and made me shudder. 

'Not waving but drowning' by Wendy Mayer


Heather Nevay's The Murder ...


... and 'The Lesson'


Details of Tessa Farmer's 'The Perilous Pursuit of a Python'



I was disappointed to see that the writing workshops associated with this exhibition are being on held on weekdays, which means I've no hope of getting to them; still, the exhibition itself runs till 19th March so and I hope to return to the RWA to see it again. 


'Blue Circus' by Marc Chagall


'The Pomps of the Subsoil' by Leonora Carrington 


'The Banquet' by Ana Maria Pacheco